Actors

George A. Romero

George A. Romero

George A. Romero never set out to become a Hollywood figure; by all indications, though, he was very successful. The director of the groundbreaking "Living Dead" films was born February 4, 1940 ,in New York City to Ann (Dvorsky) and Jorge Romero. His father was born in Spain and raised in Cuba, and his mother was Lithuanian. He grew up in New York until attending the renowned Carnegie-Mellon University in Pittsburgh, PA. After graduation he began shooting mostly short films and commercials. He and his friends formed Image Ten Productions in the late 1960s and they all chipped in roughly $10,000 apiece to produce what became one of the most celebrated American horror films of all time: Night of the Living Dead (1968). Shot in black-and-white on a budget of just over $100,000, Romero's vision, combined with a solid script written by him and his "Image" co-founder John A. Russo (along with what was then considered an excess of gore), enabled the film to earn back far more than what it cost; it became a cult classic by the early 1970s and was inducted into the National Film Registry of the Library of Congress of the United States in 1999. Romero's next films were a little more low-key but less successful, including There's Always Vanilla (1971), The Crazies (1973), Hungry Wives (1972) (where he met future wife Christine Forrest) and Martin (1976). Though not as acclaimed as "Night of the Living Dead" or some of his later work, these films had his signature social commentary while dealing with issues--usually horror-related--at the microscopic level. Like almost all of his films, they were shot in, or around, Romero's favorite city of Pittsburgh. In 1978 he returned to the zombie genre with the one film of his that would top the success of "Night of the Living Dead"--Dawn of the Dead (1978). He managed to divorce the franchise from Image Ten, which screwed up the copyright on the original and allowed the film to enter into public domain, with the result that Romero and his original investors were not entitled to any profits from the film's video releases. Shot in the Monroeville (PA) Mall during late-night hours, the film told the tale of four people who escape a zombie outbreak and lock themselves up inside what they think is paradise before the solitude makes them victims of their own, and a biker gang's, greed. Made on a budget of just $1.5 million, the film earned over $40 million worldwide and was named one of the top cult films by Entertainment Weekly magazine in 2003. It also marked Romero's first work with brilliant make-up and effects artist Tom Savini. After 1978, Romero and Savini teamed up many times. The success of "Dawn of the Dead" led to bigger budgets and better casts for the filmmaker. First was Knightriders (1981), where he first worked with an up-and-coming Ed Harris. Then came perhaps his most Hollywood-like film, Creepshow (1982), which marked the first--but not the last--time Romero adapted a work by famed horror novelist Stephen King. With many major stars and big-studio distribution, it was a moderate success and spawned a sequel, which was also written by Romero. The decline of Romero's career came in the late 1980s. His last widely-released film was the next "Dead" film, Day of the Dead (1985). Derided by critics, it did not take in much at the box office, either. His latest two efforts were The Dark Half (1993) (another Stephen King adaptation) and Bruiser (2000). Even the Romero-penned/Tom Savini-directed remake of Romero's first film, Night of the Living Dead (1990), was a box-office failure. Pigeon-holed solely as a horror director and with his latest films no longer achieving the success of his earlier "Dead" films, Romero has not worked much since, much to the chagrin of his following. In 2005, 19 years after "Day of the Dead", with major-studio distribution he returned to his most famous series and horror sub-genre it created with Land of the Dead (2005), a further exploration of the destruction of modern society by the undead, that received generally positive reviews. He directed two more "Dead" films, Diary of the Dead (2007) and Survival of the Dead (2009). George died on July 16, 2017, in Toronto, Ontario, Canada. He was 77.
George Akram

George Akram

George Akram was born George Akram Drija Vivas in Caracas, Venezuela. From Syrian descent, he is the son of two highly recognized dancers and choreographers in his native country. He became the first Venezuelan to star on a Broadway musical; But his first job, at the age of 6, was as a host for a kids' TV show called "Video Time" which led to his appearance in significant national events, sports opening ceremonies and many commercials. At age 17, George successfully hosted one of South America's biggest live summer shows "Rugemanía"; where he had the opportunity to show his versatility as a host, actor, dancer and singer five times a week. After finishing his first musical as a lead titled " Celebremos La Vida", Akram decided to emigrate to the United States. George had the tremendous honor to be part of several major events including the Latin Grammys, Latin Billboards, Viña del Mar in Chile, among others, sharing stages with esteemed artists like Gloria Estefan, Ricky Martin, Celia Cruz, Alejandro Sanz, Shakira, Daddy Yankee and many more. Akram's first major film role was Carlos Verastegui in the film KM72 (2015). He also participated in Vijay And I (2013) alongside Patricia Arquette; Stuck On You (2006) alongside Meryl Streep and Greg Kinnear and Sins Of Our Youth (2014) alongside Ally Sheedy. In addition to film, he can be seen on the Amazon Prime comedy Borderline. An appearance on the television series NCIS Los Angeles (2017), and roles for Hispanics soaps Las Dos Caras de Ana (2006) and Escándalos: Todo es real excepto sus nombres (2015). In 2008 by the hand of legend Arthur Laurents, George was given the opportunity to play the role of Bernardo, leader of the Sharks, in the Broadway Revival of West Side Story at the Palace Theater in NYC. Worth mentioning, George completed the longest running Broadway production of WSS in January 2011, with a Grammy Award for "Best Musical Show Album" and a Tony Award nomination for Best Revival. Since then George has been invited to play the same role for Rita Moreno's tribute at the Kennedy Center Honors (2015), Hollywood Bowl (2016) (conducted by Gustavo Dudamel) and at The Salzburg Opera Festival in 2016. Following the Broadway run, Akram joined the world tour of "Between Worlds, The Musical", "Carmen: An Afro Cuban Jazz Musical" (2016) Directed by Moisés Kaufman and once again conducted by Dudamel: "Amor Brujo" at the Walt Disney Concert Hall (2015).